We know why she tries to avert war at every chance.

We know why she fights so hard for women’s rights. Because we’re following events from Kaikeyi’s perspective, we understand the decisions she makes.

Everything that happens feels inevitable.

The events that follow Kaikeyi’s marriage begin to take on the kind of epic weight that I associate with the Greek or Norse or Egyptian legends, when the gods sput their divine noses into the human’s lives. Kaikeyi, Rama, and other figures depicted in a Mughal-era edition of the Ramayana. And there they are, the central conflicts of Kaikeyi: the old ways versus the new ways, the secular versus the divine, the men versus the women. His advisors-especially his religious advisors-warn him that doing so will not only annoy many of the men in his kingdom it will also anger the gods. In fact, Dasharatha seems to be one of the few men in Kaikeyi’s life (or in Kekeya or Ayodhya or any of India’s many kingdoms) who is willing to upset the status quo enough to give women more freedom. Her kind husband, Dasharatha, is more than willing to give Kaikeyi power, especially after she saves his life in spectacularly martial fashion during a battle against an upstart warlord. It’s in Ayodhya that Kaikeyi finally comes into her own. Before she can figure a way out, Kaikeyi finds herself married to the king of Ayodhya. Aside from these roles, her father ignores Kaikeyi so much that she is able to wheedle lessons in charioteering, archery, and swordsmanship out of her twin brother…at least, she is ignored until her father realizes that Kaikeyi is of marriageable age. At a very young age, Kaikeyi had to take on her mother’s duties of running the palace and host her father’s subjects and other high-ranking visitors when they have business in the northern Indian kingdom of Kekeya. Kaikeyi was (in Patel’s version) a very gifted but isolated girl who was forced to grow up very quickly after her father exiled her mother. Patel’s essay added some important subtext to this novel and why she wanted the long-maligned Kaikeyi, the woman who exiled Rama to the forest and kicked off one of the greatest epic tragedies ever written, to finally tell her side of the story.

I had only the vaguest idea of what happens in the Ramayana and the Mahabharata, only what I’ve gleaned from some quick skims of the relevant Wikipedia articles. I’m glad that I read Vaishnavi Patel’s essay on how the Ramayana and its stories have been retold in Indian culture and politics before I read her own electrifying retelling, Kaikeyi.

Kaikeyi by vaishnavi patel